Olivia
Parlermo has been doing the rounds at this season's Paris Fashion Week and she's
been pulling out the sartorial stops on each front row.
On Friday she
attended the Chalayan A/W 2015/16 presentation in yet another chic outfit and
some rather stand out sunglasses.
The New York
socialite hid her eyes behind a large pair of silver frames as she posed for
photos on the runway.
Specs appeal: Olivia Palermo attends the Chalayan Paris
Fashion Week show in statement sunglasses
Olivia's
outfit for the show was made up of a beige roll-neck jumper tucked into a white
pencil skirt with a skinny pink belt.
On the front
row she caught up with English model and actress Tallulah Harlech, in Chayalan
SS15 collection, as well as members of the fashion it-crowd Susie Bubble, Jeanne
Damas, Hanneli Mustaparta and Leigh Lezark.
Chic: Olivia wore a beige knit tucked into a pencil skirt
with grey heels while Tallulah Harlech in Chayalan SS15 collection
It Crowd: Susie Bubble, Jeanne Damas, Hanneli Mustaparta,
Leigh Lezark, Olivia Palermo and Tallulah Harlechon the front row
As well as a
love for fashion, Olivia recently spoke about her beauty regime.
'My ethos is
that you need to take care of your skin so you feel and look nourished,' she
told The Daily Telegraph.
'The best
compliment you can receive is that you look well rested. Beauty can transform
you, but it should be about having fun and feeling confident.
She added:
'Make-up and hairstyles shouldn't mask who you are but bring out the best of who
you are. Beauty to me is intelligence and wisdom.'
How many likes? The ladies check their phones before the
show begins
Animal magic: DJ Leigh Lezark wears Chayalan SS15
collection to the show
Chalayan
Women's A/W 2015 collection was inspired by the film Murder On The Orient
Express, based on Agatha Christie classic 1934 novel of the same
title.
The collection
mixes luxurious cashmere blends with faux fur, reminiscent of the passengers
while the staff's uniforms are reworked into outerwear in utilitarian
cottons.
Patterns,
embroideries and jacquard prints were also designed with poignant moments of the
film in mind, such as the scene in which the train is stuck in a snow storm can
be seen represented as a flock print over checked tailoring.
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